{"id":2685,"date":"2017-03-06T11:51:06","date_gmt":"2017-03-06T11:51:06","guid":{"rendered":"http:\/\/designtel.co\/?p=2685"},"modified":"2017-03-06T12:01:52","modified_gmt":"2017-03-06T12:01:52","slug":"heide-house-ii","status":"publish","type":"post","link":"https:\/\/design.tel\/heide-house-ii\/","title":{"rendered":"Heide House II"},"content":{"rendered":"<p><em>Heide II was designed as \u2018a gallery to be lived in\u2019, and despite the rural setting, it was strongly urban in feel both inside and in its paved approaches and courts. This reflected the Reeds\u2019 connection to the Melbourne-based Contemporary Art Society of Victoria and the Gallery of Contemporary Art (later the Museum of Modern Art and Design of Australia). Sitting halfway down a low hill above the Yarra flood plain, Heide II is often cited as a triumph for modernist architecture, and as a house of radical art, it was a clear alternative to Montsalvat (1934\u201372), Justus Jorgensen\u2019s eclectic fantasy of castle and village in nearby Eltham.<\/em><\/p>\n<p>For\u00a0Conrad Hamann&#8217;s full article text,\u00a0see <a href=\"https:\/\/www.australiandesignreview.com\/architecture\/life-cycle-heide-ii\/\" target=\"_blank\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Heide II was designed as \u2018a gallery to be lived in\u2019, and despite the rural setting, it was strongly urban in feel both inside and in its paved approaches and courts. This reflected the Reeds\u2019 connection to the Melbourne-based Contemporary Art Society of Victoria and the Gallery of Contemporary Art (later the Museum of Modern &hellip;<\/p>\n","protected":false},"author":1,"featured_media":2686,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/design.tel\/wp-json\/wp\/v2\/posts\/2685"}],"collection":[{"href":"https:\/\/design.tel\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/design.tel\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/design.tel\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/design.tel\/wp-json\/wp\/v2\/comments?post=2685"}],"version-history":[{"count":0,"href":"https:\/\/design.tel\/wp-json\/wp\/v2\/posts\/2685\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/design.tel\/wp-json\/wp\/v2\/media\/2686"}],"wp:attachment":[{"href":"https:\/\/design.tel\/wp-json\/wp\/v2\/media?parent=2685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/design.tel\/wp-json\/wp\/v2\/categories?post=2685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/design.tel\/wp-json\/wp\/v2\/tags?post=2685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}